The passing of the year – quite a number of composers took this as an inspiration. Antonio Vivaldi did it, of course, with his violin concertos known as “Le Quattro Stagioni”, then Fanny Mendelssohn leading us with her piano cycle “Das Jahr” from month to month. Just like Fanny Tchaikovsky leads us through the year in 12 piano pieces grouped in the cycle “The Seasons”, Op. 37. The pieces had been commissioned by the St. Petersburg music journal “Nuvellist” (Нувеллист). Each piece has a title emphasizing an emotion or an event, each is introduced in the original publication by an epitaph and accompanied by an illustration.
Pyotr Tchaikovsky’s biggest composition for piano was the last of that type of work. And will you believe it, I was unaware of its existence! Shame on me! At the same time, I considered myself lucky. Daniil Trifonov was expected in town last Saturday night at the Philharmonie de Luxembourg to play a part of it. In April 1873, within a little over two weeks, Tchaikovsky wrote a piano cycle of the name of “18 Pieces” (Op. 72), and Trifonov would have performed “Un poco di Chopin” (nb. 15), a lovely, joyful tune… if he hadn’t fallen ill! The recital was canceled at the last minute. However, Trifonov’s programme had sparked my curiosity, and I bought a recording of the full set performed with Claudio Colombo. And what I got was a highly pleasant surprise. Such light-heartedness music from a notoriously depressed and self-pitying composer!
Flying into a sunrise – it’s always a fascinating moment. Having been a frequent flyer throughout my professional life, I have seen many such moments and they have never lost their magic. Anticipation, peace of mind, hope… Some time ago I flew to Finland. We took off at dawn and reached our cruising altitude just when the sun went up. I had unpacked my Pushkin novel and my tablet, I stared at the golden light, the clouds, I heard the humming of the two turboprops and more importantly, I listened to a great piece of music: Pyotr Tchaikovsky’s Grande Sonate in G major, Op. 37
What a gentle introduction – the warm light of the autumn sun bathes a rural landscape in soft yellow, orange and brown colours, but here, sharp, black patches, rocks, splintering dead wood – contrasts mark the Piano Trio No. 1 in D minor, Op. 32 that the Russian composer Anton Arensky composed in 1894 from the first bars on. It closely follows the Romantic language of a trio that had deeply impressed upon the composer: Pyotr Tchaikovsky’s Piano Trio in A minor, that I have presented in an earlier post.