A hint of drama, a longing for tenderness, a calm discussion about him and her, repressed fear to displease, not to be up to the challenge, a touch of don’t-question-my-authority arrogance… is that what inspired Robert Schumann when he wrote the String Trio No. 1 in A minor, Op. 41? The music triggered those ideas in my mind and perhaps they reflected more my own feelings than Schumann’s. Who knows? Man is a curious beast. Super intelligent, super difficult to live with.
In his lighter moments Robert Schumann was quite a joyful fellow! I could not imagine how else he could have written Op. 102. The German title is “Fünf Stücke im Volkston”, which would give “Five Pieces in a Folk Tune” if translated. But the title is misleading, these pieces, even if written for the amateur musician, have nothing simplistic about them, far from it. They are very refined, carefully constructed, permeated by the elegant, graceful version of German melancholia. To compose a melody creating the illusion to be light is one of the challenges – I think Mozart once said this.
Is it a personal tragedy when the pupil outdoes the teacher? Or does it fill him with pride? Carl Reinecke (1824-1910) is an unknown unknown. His students however are well-known or at least known unknown composers i.e. unknown by the general public, but a reference for experts like the readers of this blog: Max Bruch, Leos Janacek, Edvard Grieg and Julius Röntgen. I think it is safe to say that Reinecke’s four students outdid their teacher in terms of celebrity. But they rival him in terms of excellence in composition remains to be seen.
A few weeks ago I finished reading a monumental double biography of Adolf Hitler and Joseph Stalin – well written and extremely interesting, as I elaborate in a review on my other blog, but depressing at times. Add the grey and wet weather we experienced in January – not exactly what makes me feel hopeful and optimistic. Luckily there is music to help me and you overcome such moments, music like that joyful Quartet in E flat major that Felix Mendelssohn wrote in 1823.