The lady likes strange and wild harmonies

The violin rules. © Charles Thibo

It felt a little like meeting an old friend after many years. I sat at my desk on a rainy Saturday afternoon and listened to a piano trio written by Edouard Lalo. I was writing letters and my thoughts drifted. “Lalo, Lalo…”, I wondered. “Have I written about him?” Actually I have, in a post in November 2016. So why had I forgotten about him? The trio is beautiful, and he surely has written other lovely pieces. A quick research yielded a wealth of pieces unknown to me, and my joy over these discoveries was such that I had to insert an unscheduled post about Lalo’s Violin Concerto in F major, Op. 20 in my publishing schedule.

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Composing Against all Odds

nmzuijdnjk © Charles Thibo
Lalo’s Trio No. 3 – autumn music. © Charles Thibo

Past and present: This composer had the bad luck to play always the second fiddle. Paris choose to ignore him during his lifetime, the 19th century, and glorify Hector Berlioz, Camille de Saint-Saëns, Frédéric Chopin and Maurice Ravel. Today, you will find him mostly as an add-on to a recording of a more famous composer like Felix Mendelssohn. Which isn’t fair. Time to set the record straight then. A piece that you may come to consider as reflecting the composer’s struggle for recognition at the same time as his dexterity at the violin: The Piano Trio No. 3 in A Minor, op. 26, composed by Edouard Lalo.

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