Tchaikovsky finds inspiration in Lalo’s work

Tchaikovsky violin3-1
Awkwardly beautiful. © Charles Thibo

Do you know Lalo? Of course you do, you have met him in a post two weeks ago! Edouard Lalo composed a piece called “Symphonie Espagnole” (Spanish Symphony) which inspired Pyotr Tchaikovsky to write his Violin Concerto in D major, Op. 35. “Do you know the “Symphonie Espagnole” of the French composer Lalo?”, Tchaikovsky asks in a letter his patron Nadezhda von Meck in March 1878. “I liked this work very much. A lot of freshness, spiking rhythms, beautiful melodies with remarkable harmonies.” All this can be said about Tchaikovsky’s violin concerto.

Continue Reading!

Lalo explores the cello’s impressive range

img_8784
Fading. © Charles Thibo

Those of you who have been following this blog for a while are aware that – being a piano apprentice – I have a soft spot for the cello. I had to discover the broad tonal range of the piano to appreciate the smaller but still impressive range of the cello. It translates into a broad choice of moods from sinister, depressive, to cosy, comfortable and even glorious and triumphant.

Continue reading!

Making time for an impressionist pulsation

Port d’attache. © Charles Thibo

Written on the fly, a momentous impression during a short stay at the Atlantic coast. Rain, wind, happiness, a little nocturnal melancholy a few days ago. This unscheduled post does not follow my ordinary logic, my careful planning, my meticulous research, no, it obeys its own laws if any and the outcome is unclear. For a few minutes I felt the urge to write in verses. From a long slumber the poet woke, without pain, bewilderd and exhilarated by the idea to play again with words. I fell asleep again, but I had to think about that moment for the rest of the day.

Continue reading!

The lady likes strange and wild harmonies

The violin rules. © Charles Thibo

It felt a little like meeting an old friend after many years. I sat at my desk on a rainy Saturday afternoon and listened to a piano trio written by Edouard Lalo. I was writing letters and my thoughts drifted. “Lalo, Lalo…”, I wondered. “Have I written about him?” Actually I have, in a post in November 2016. So why had I forgotten about him? The trio is beautiful, and he surely has written other lovely pieces. A quick research yielded a wealth of pieces unknown to me, and my joy over these discoveries was such that I had to insert an unscheduled post about Lalo’s Violin Concerto in F major, Op. 20 in my publishing schedule.

Continue reading!