Some composers inspire me a feeling of familiarity, of friendship, the kind of attachment you feel for someone you have known a long time, someone who is far away now, but whose bond with you remains strong, despite the time that has elapsed, despite the distance that separates you and him. Dieterich Buxtehude is one of these composers. A Baroque musician, a paragon for Johann Sebastian Bach and one of the most eminent composers of Northern Germany as we have seen in my first post about him. For today I have selected a secular piece that seems perfect to me either to start the day or to end it.
From time to time and mostly out of the blue a feeling of sadness sneaks into my heart, and I would be hard pressed to tell you where it came from or what triggered it. I’ve looked for reasons and found none. So be it then. If I have a quiet moment, I indulge in a piece of Baroque music. Baroque music can be such a consolation. Most often I would pick a piece composed by Johann Sebastian Bach, but not too long ago I settled for Dieterich Buxtehude.
Benedicam dominum in omni tempore – I will bless the Lord at all times. This old Gregorian chant uses a text from Psalm 34 and expresses the belief of Christians that faith will deliver them from the sin of mankind and reward them for any their suffering on earth. It is meant to give hope, to present God as a shining beacon to guide the faithful through night. At Christmas, Christians celebrate the moment this beacon was lit: the beginning of a new hope. The Baroque composer Dietrich Buxtehude has set this prayer to music in his work BuxWV 113. It has been recorded by the Göteborg Baroque Soloists and the Göteborg Baroque Arts Ensemble under Magnus Kjellson.
Buxtehude – now, what kind of name is that? It sounds like the name of a witch out of a German fairy tale. But no, Dieterich Buxtehude was a Danish-German composer and organist of the 17th century.