Tadadadaaa – the European Union’s General Data Protection Regulation (GDPR) is effective as of now! Can you feel it? Does it make a difference? No, it doesn’t. It reminds me of the question: “So how does it feel to turn 40?” Well, the world did not stop turning back then, did it? And it didn’t tonight. All this excitement in the blogosphere over the past weeks – I wonder whether we are not taking all this a little too serious.
The summer hasn’t begun yet, and already I feel nostalgic like I would at the end of it. But that is entirely Felix Mendelssohn’s fault. So many of his pieces evoke in my mind the end of summer – is that the Romantic disease? Probably. His violin concerto in E minor is a case in point, however today Felix’ chamber music is on my mind: the String Quartet No. 1 in E flat major, Op. 12. It is a very early piece, written in 1829, when Mendelssohn was 20 years old. It has to do with a girl that he hallen fallen in love with, a passion alas that wasn’t reciprocated.
“What a stupid book”, I said to myself. A trivial story about a romance between a priest, his son and a blind orphan. I hated André Gide’s novel “La Symphony Pastorale”! I had to study it a school and the moral questions the novel evokes on the base of Georg Friedrich Wilhelm Hegel’s philosophy totally escaped me. I was interested in astrophysics and spaceflight, not in moral dilemmas.
Sturm und Drang – this is Sturm und Drang cast in music. The expression denotes a German proto-Romantic literary style en vogue during the late 18th century. Young poets embued by what they called “innate genius” emphasized instant inspiration instead over a formalized way of writing. Emotions mattered over rational ideas in terms of content, creativity mattered over established rules in terms of form.