A Final Masterpiece from the Constant Searcher

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Adagio religioso. © Charles Thibo

Ah, yes… Bartok. That Hungarian enigma. I hesitated for months before presenting one of his pieces as I haven’t studied his works long enough. It took the French pianist Hélène Grimaud to spur me. She was in town yesterday and what should I say? She was fabulous and Bartok’s Piano Concerto No. 3, Sz. 119 was even more fabulous. An unusual piece  executed with a lot of passion by Grimaud and the Rotterdam Philharmonic Orchestra led by Yannick Nézet-Seguin.

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Lost in Thoughts with a Duo for Violin and Cello

Autumn – from green to red. © Charles Thibo

I like this time of the year. The morning light is very special. I see myself on a Sunday morning sitting in the kitchen. The house is calm. I sit at the table and the first sunbeams are penetrating the morning haze hanging over the vineyards. They plunge the kitchen in a warm, welcoming light. On the right I see the river, on the left I see the leaves of a vine as they turn from green to red – a beautiful red I enjoy every autumn. In a few days all the leaves will be flaming red and hide that old cracked wall that leads to the garden.

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The Communists didn’t like funky sound experiments

Ligeti's "Musica Ricercata" is about contrasts. © Charles Thibo
Ligeti’s “Musica Ricercata” is about contrasts. © Charles Thibo

The Communist Party did not welcome revolutions that it had not initiated itself. György Ligeti was not welcome, nor was his music. Not in Hungary, when it was ruled by the Communist Party. But the Communist world broke apart and Ligeti’s music stays on. He is certainly one of the greatest composers of classical music of the 20th century. Et pour cause, as they say in France.

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