Music from the Bach family is a perfect way to start a day. Actually to start any day. On a sunny summer morning listening for example to Carl Philipp Emmanuel Bach’s Cello Concerto in A minor (Wq. 170) fills me with joy and enthusiasm and a strong desire to praise mankind’s inventiveness, it’s ability to create Beauty, its incredible power to fill others with happiness. What a gift from Johann Sebastian Bach’s son! What a generosity!
Bach – that’s not just a composer’s name. It’s a whole dynasty of excellent musicians! We have already met Carl Philip Emmanuel Bach, one of Johann Sebastian Bach’s sons. Today we will explore a work written by Johann Bernard Bach, a cousin of Johann Sebastian. He was born in Erfurt in 1676 and died just a year before his famous cousin, in 1749. Johann Bernard Bach held the position as organist in Erfurt from 1695 on and moved into a similar position in Eisenach in 1703, where he was appointed as a court harpsichordist and later as the Kapellmeister of the court’s orchestra.
Can there be anything more dramatic than a man proclaiming the absolute power of the Love, seeing into the eyes of his enemies and submitting calmly and willingly to martyrdom to prove his faith and to convince his followers that they are right to believe in what he has said? To profess the ultimate sacrifice to set an example? To die so that others could live sometime somewhere in a better, more peaceful world? Hardly.
Light and sound and the combination of the two have always fascinated me. Here lies the origin of this blog – tweets about a specific moment with a specific piece of music and a specific picture associated to both. But I am just an amateur. Meet the masters of sound and light, for instance the French artist Jean-Michel Jarre.