Hey, someone is having fun here! Actually, two people are. Two pianists, Fanny Solter and Eva-Maria Rieckert, playing Gavrilin’s “Piano Sketches for Four Hands”. Listen to this – it’s halfway between romanticism and jazz! Made in Russia. Who would have thought that?
Buxtehude – now, what kind of name is that? It sounds like the name of a witch out of a German fairy tale. But no, Dieterich Buxtehude was a Danish-German composer and organist of the 17th century.
Today, our journey takes us to Rome. The Russian composer Sergei Rachmaninov stayed here at the Piazza de Spagna in 1913 for two months in the flat of Modest Tchaikovsky, where his brother Pyotr Tchaikovsky had composed several of his works. At the time, Rachmaninov was deeply worried about his personal future, suffering from frequent diseases, tiredness, a lack of inspiration and the fact that his home country was moving to the edge of civil war. He had left Russia hastily towards the end of 1912 and moved first to Switzerland, then to Italy. Continue reading!
“Ohrwurm” [ˈoːɐ̯ˌvʊʁm] – that’s what the Germans call it. Earworm? Does that exist in English? Here is what I mean: a melody that you hear once and that you can’t get out of your head then. The German composer Ludwig van Beethoven wrote such an “Ohrwurm” – his violin concerto in D major, Op. 61. It’s the only violin concerto he wrote, and one wonders why, since this piece is absolutely amazing! It has a profound effect on me. Whenever I hear it, I feel wide awake, instantly energized, totally present. I also feel transported into another world, floating above life on earth, defying gravity. Unsurprisingly, it is one of my all time favourite violin concertos.