The boundary between pain and pleasure is blurry, and this wonderful cello concerto feels like a balancing act between the abyss of pain and the summit of passion. Camille de Saint-Saëns wrote in 1902 his Cello Concerto No. 2 in D minor (Op. 119). I have two recordings and I can recommend both. The first is by Zuill Bailey and the Roanoke Symphony Orchestra, the second by Stephen Isserlis and the NDR Symphony Orchestra. What strikes me is the energy, the power, the tension of the piece maintained over the two movements with virtuosic parts for the cello and beautiful rhapsodic indulgences for the orchestra, first of all for the strings. What a pleasure it must be to perform this piece!
Grace – this idea was at the heart of a composition of Olivier Messiaen, conceived in 1990. The French composer first considered writing an oboe concerto for his friend Heinz Holliger (born 1939). His ideas later evolved into a piece for oboe, cello, piano, harp and orchestra: Concert à 4 (Quadruple Concert). He drew his inspiration from Wolfgang Amadeus Mozart, Domenico Scarlatti and Jean-Philippe Rameau as well as from his transcriptions of bird songs, Messiaen’s trademark.
Hours full of pain – not exactly a selling argument! But this is the title the composer Gabriel Dupont gave a piano cycle he wrote in 1904: Les Heures Dolentes. If you listen to the recording by Stéphane Lemelin, you will at once hear that title is well deserved and that no one ever has described in a more beautiful way the slowly passing, monotonous hours when you try to recover from really bad news, these moments when you feel paralyzed, unable to speak, unable to move, when you stare in front of you aimlessly, absent-minded. This singular mood when all seems lost and life makes no sense anymore.
Can you imagine two rivers flowing one inside the other? For clarity’s sake let’s say one is a dark blue, slow and heavy, thick stream while the other is a light blue, fluid and blubbering spring flowing in and above the other one. Can you picture these two flows in your head? Good. This is what Gabriel Fauré’s Cello Sonata No. 2 in G minor, Op. 117 would look like if I were to paint it. I guess I am a better writer than painter, but this picture immediately formed in my head when I listened to this sonata for the first time.