Piano music from paradise, written by a woman

Peaceful night, peaceful dreams. © Charles Thibo

Night has fallen. Does it get dark in paradise? I wonder. I haven’t come across a writer who has reflected the daily business of life in paradise. Does it ever get dark? Do people sleep occasionally? Do they have to get up early? Perhaps for one more tedious lyra lesson?

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A majestic symphony, a prelude to Napoleon III

Royal colours. © Charles Thibo

I remember the moment I decided to write this post in every detail. A year ago on a free afternoon I was driving home and shortly before I would pass the speed radar I focused for the split of a second on those golden trees at the roadside against the blue sky – royal colours. I was listening to Camille de Saint-Saëns’ Symphony in A major – a majestic sound. I stopped the car, got out and shot that picture. It was a warm, sunny day, a light breeze made the leaves rattle, the road was empty. I went back to the car, sat on the driver’s seat, the door open, and listened to that beautiful music. I was in no hurry and enjoyed a magic moment. Happiness.

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Struggling for words, fighting for friendship

Autumn in royal colors. © Charles Thibo

One can debate whether it is legitimate to do what I did with Bela Bartok lately. I mean, offering my personal thoughts and feelings triggered by Bartok String Quartet No. 5 as an interpretation of a piece of music. I love to debate and I have the wisdom of Umberto Eco on my side. Come on, challenge me! No? Then I shall do it again. With another piece, Camille de Saint-Saëns’ Sonata for Cello and Piano No. 1 in C minor, Op. 32, written in 1872. I suggest you enjoy the recording by Stephen Isserlis (cello) and Pascal Devoyon (piano).

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D’Indy fills the air with musical fairy dust

An enchanted forest at Loire. © Charles Thibo

Two years ago, when I had just started this blog, I presented Felix Mendelssohn incidental music to William Shakespeare’s play “A Midsummer Night’s Dream”. Since I first read this play some 20 years ago on a bus stop in Scotland, my vision for the setting of this play has remained the same: a forest with mysterious colored lights twinkling in the darkness, the heavy sweet of smell of flowers in the air, meteorite showers illuminating the nocturnal sky and – music! At that time I was not aware of Mendelssohn’s masterpiece, but once I had heard it my reaction was: Oh yes, this is it, very much so! Mendelssohn set my vision to  music.

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