It took a minute until I understood: R. Sch. Hommage à R. Sch. Robert Schumann. It was late at night, I was tired and my last intellectual effort of the day dealt with the 10th anniversary of the Japanese music festival Viola Space in 2002. One of the pieces performed there was György “Hommage à R. Sch.”, composed in 1990 for clarinet, viola and piano, Op.15/d. Schumann was an avid reader of Romantic books, like those written by the German novelists Jean Paul and E. T. A. Richter. Kurtag, a contemporary Hungarian composer, wrote this piece as a reverence to Schumann, the fictive persons Eusebius, Florestan and Master Raro, two of them being used by Schumann as pen names, and the Kapellmeister Kreisler that gave Schumann’s “Kreisleriana” its name.