Standing in awe before the Waldstein-Sonata

Monumental. © Charles Thibo

Ludwig van Beethoven’s Piano Sonata No. 21 in C major (Op. 53) is one of those ambitions of mine. Some day in the future, I will be able to play this overwhelming piece. Overwhelming because it overwhelms me each time I listen to it. Overwhelming because it commands respect to the apprentice I still am. This love affair started with a recording by Alice Sara Ott. I moved on to the release of Emil Gilels’ performance and ended up with Alfred Brendel’s recording, apparently the gold standard when it cones to Beethoven interpretation.

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