Franz Schubert’s personal tragedy becomes palpable from the first bars on. The Romantic melancholy does not creep slowly under you skin, no, it hits you like a hammer. Schubert’s inner tension, his disarray – in his letters he is quite straightforward about it – and his String Quartet No. 15 in G minor (D.887) is no less straightforward. It is a brutal piece, just like its predecessor, the quartet “Death and the Maiden.” It is a marvelous piece, just like its predecessor, the quartet “Death and the Maiden.” It is one of my favourites.