Watch out, because they are watching you. They lurk behind every corner, ready to grab you and lock you up. They are monsters. Stealthy, cowardly, insidious. They have the power to destroy you and to make you shine. They are everywhere. Paranoid times. Gruesome times. Stalin’s evil empire. You can sing however to chase away your fears. You can whistle in the dark and hope for the danger to pass. You can be bold and show your strength by acknowledging publicly your fear. You can find allies by being true to yourself.
The music of Carl Philipp Emanuel Bach, the second of Johann Sebastian Bach’s sons, is not only worth a detour, it is worth going back on our own’s tracks. Simply because it’s beautiful, uplifting and a perfect start into a new day. This summer, I presented Bach’s Cello Concerto in A minor (Wq. 170), an arrangement of his Keyboard Concerto in A minor (Wq. 26). The keyboard concerto will be the focal point of today’s post. As the cello version, it saw the light in 1750, ten years after Bach had joined the orchestra of the Prussian King Frederic II in Berlin. It was also the year his famous father died.
Do you know Capitaine Fracasse? Imagine France in the 17th century under the reign of Louis XIII. A wet and windy night in the Gascogne, a derelict mansion, cut off from the rest of world. In the kitchen, the only heated room, the fire is dying down. The Baron de Sigognac, a solitary and impoverished young nobleman, muses about his sad fate, when a bunch of comedians knocks at his door and seeks shelter. During the night, he feels he has to make a decision. He can continue to mourn the past glory of his family, stay in the old mansion with his faithful servant Pierre and die from poverty. Or he can give his life a meaning he never anticipated and join the comedians assuming a new name: Capitaine Fracasse.
A refugee trek advances through the countryside. Hermann, a young wealthy man, falls in love with Dorothea, a woman among the refugees who pass his home town. An impossible love? Having vetted the girl with the help of the town’s priest and pharmacist, Hermann’s family agrees to a marriage. The young man himself however is afraid of being rejected by Dorothea. He employs her as a maid until, finally, the mutual love is being revealed and all ends well.